Chapter Nine
Tuesday, April twelfth at one in the
afternoon in room one-fifteen on the ground floor of Conclave Lodge in Siliguri.
Lovely quiet courtyard with a sense of seclusion just a one block walk from one
of those continuously busy thoroughfares slicing a way through a transportation
hub. Yesterday started early with a seven a.m. ride to the Chennai airport where at the check-in counter, I opted-in
for some extra rupees to upgrade my status to include a front row window seat
with extra leg room, a meal for both legs of the flight, and priority baggage
handling, as well as pre-boarding privileges, thus bypassing the two hundred
person queue. From the Bagdogra airport , prepaid taxi through Bagdogra to
Siliguri, sixteen kilometers, on that perpetually busy two-lane highway, with
about a half lane’s worth of shoulder on each side. Busses, trucks, cars,
motorcycles and all of the usual suspects. Following my 2009 Lonely Planet
guidebook, I go for the Conclave Lodge. It’s simple and clean and good for two
nights, remarkable as an island of silence amidst the surrounding cacophony. Late
afternoon exploratory walk along that busy highway to locate tomorrow’s
objective, the Sikkim registration office and state bus depot for Wednesday’s ride. Try the
outdoor patio of the Khana Kahana restaurant for some Lemon sodas and a small
cheese and mushroom pizza. All of this is within walking distance, as far as I
want to go in Siliguri. Buy some bottles of mango juice and water to see me
through the night, and call it a night, and enter a little story that begins
with riding my bicycle from some city towards the edge-of-town convenience
store I frequented in Canyon, Texas. Not sure I want to go in there right now,
so circle wide around the parking lot, and then up to a small grassy park on a hill
where I find a small grove of young trees where I can sit quietly and look at
the convenience store below. After a while, I get up, go down the hill and
enter the store, and realize that I haven’t played the lottery in a very long
time, so as long as I’m remembering this, I’ll play a ticket, the kind of game
where you pick five numbers and wait for the evening’s drawing. There is a new
game here now in this format, and the ticket is very unusual, three
dimensional, and I need to spin dials of numbers like those used on some
padlocks. This is all very confusing to me, and I need to consult some
brochures, which turn out to be travel brochures for Texas with many maps of natural and geological features of
the state. Texas is now sixteen years behind me, and I lived six
years of panhandle Texas in depth; that’s an old story, I’m looking for a new
story now. Next I’m riding in an open air jeep with some friend, I’m not sure
exactly who, some old neighborhood friend, or simply the old neighborhood as a
friend, and the driver whom I don’t know but who has a precise familiarity with
these streets and alleyways. From the firehouse at the Riverview – Partridge
triangle, up Riverview to the top of the rise for a right turn onto Harney, to
the first alleyway on the left, which goes down past the rear of the Rio
theatre, to the T intersection near the back of my childhood home. I exit the
jeep and walk to the gate of our small back yard to the back door which is
open, and inside are my parents and brothers and sisters in the last stages of
installing a brand new high-quality wooden floor in the kitchen. My sister
Rosemary and I are in our later teens, and everyone is as they were at that
time and very excited about this new floor. I
have to go around to the front door to enter the house, Rosemary lets me in,
and I go to the doorway to the kitchen on the inside of the house where my dad
is working on the finishing touches for this final section of the project.
There is an uneven quality about the way some of the new floorboards are
placed, and my dad starts explaining to me how he’s going to make adjustments
and make it all even and level. It just so happens the family has a pet horse,
dark coloring, which walks in from the living room to where me and my dad are
examining the floorboards. The horse sits down much like a dog taking rest. I
reach out to pet this horse on his snout, and he reaches out with his long
tongue to lick all over my hand and arm. It’s only one o’clock by the time this dream wakes me up, and I’ve got the
rest of the night to dream some more, which I do. As for this one, what to say?
My home is on the road, always between one
place and another. Another stopover hotel, this one in Siliguri, West Bengal , coming from Pondicherry , South
India , heading for Gangtok , Sikkim . In series they follow, one after another, reaching
back through the years, looking forward into however much more time I
will travel on this planet. This Siliguri room at the Conclave Lodge is where
the new wooden floor is installed. A room on the road, leading to another room.
All of these places are part of the same place, the room I live in. It goes
where I go. I
take it everywhere. I read the brochures with all of their pictures and
descriptions and choose some mysterious place, one set of numbers on the
lottery ticket, and then take the ride back to where I have always been. It was
really very nice sitting with my father looking the problem over, working out
the best way to fix the problem. It was nice seeing the entire family happy and
working together on a project meant to enhance the beauty of our home. Homelessness
is kind of a home for me right now. For all I know, Homelessness really is my
home. I have moved away from every place I have ever lived. I find a home where
I stay for awhile, then move to another home, and homelessness is the home that
is always here. I know where I’m at, wherever I’m at.
Found a nice breakfast spot this Tuesday
morning, up the quiet lane from my lodge to the upscale hotel on the corner
where the traffic goes by. Met with Edward and Laura, young travelers from UK , just coming back from several days in Gangtok. They
made a hotel recommendation, which I appreciate. They are heading to Nepal for a couple of months, and it’s possible that I
could meet up with them again after I enter that country mid-May. As breakfast
winds down, I give them a copy of my book and tell them something about it.
Something to read on those long train rides. Get my registration document at
the Sikkim tourist office on the main road, and learn that
busses leave from here every hour in the morning. There are jeeps aplenty
around here, parked in clusters along the road, ready to take customers to
Gangtok or Darjeeling or any of the other hill stations nestled in the
rising northern terrain. This is a hanging-out-in-the-crossroads day, another
one of those in-between places.
Wednesday at nine-forty in the morning at
the Sikkim Nationalized Transport (SNT) bus station. Arrived at ten to nine to
be first in line for the nine-thirty bus, only to find out that the next bus
this morning leaves at eleven. Time for sitting in the canteen sipping masala
chai. Afternoon walk yesterday after four, going south along the main road,
across the bridge across the river into the heart of the Siliguri shopping
district. Crowded with traffic, and pedestrians, and shoppers is the word. Stop
into a small shop for two cups of Elachi tea. Walking back across the bridge as
a golden sun disc slides down towards the upriver western horizon, there are a
few hundred people, mostly women, carrying on some kind of pujas on the banks
of the river and in the shallow waters near the shoreline. Blessings of
bouquets of flowers, and lots of little candles and oil lamps are burning. Most
of the saris are in variations of red, which makes the occasional green or blue
sari stand out brilliantly. Another
example for how the soft, cool colors can outshine the bright, warm ones. The
low and slow river waters reflect golden sunlight. The drummer boys get out
their instruments and keep their rhythm going strong while the ladies go on and
on with their blessings and ablutions and children play and splash in the
shallow waters. Sun disc disappears into the haze at the horizon. Streetlights
twinkle on and headlights begin to sparkle in the dusk.
Thursday morning, April fourteenth. Bus
pulled out of the station at eleven-thirteen and I’ve got my front row window
seat opposite the driver, with our front windshield view of what ever is coming
on down the road. Through the city, across the plains, and into the hills we
go. Alongside the Teesta river much of the way and the farther we go, the
deeper the gorge becomes. The hills are heavily forested. The road is mostly
narrow, and needs some construction crew attention in many places, and the
drop-off from the road, if there should be some mishap, is quite severe. I’m
guessing this is the driver’s regular route, from Gangtok to Siliguri in the
morning and return in the afternoon. He knows the road well and drives
carefully like he knows where all the rough spots are and how to negotiate the
hairpin turns and the assortment of trucks, cars, and small busses along the
way. I need to step down from the bus and enter a building at the border of
this restricted area to get my papers stamped and info entered into the
official books, and when I step out, the bus is nowhere in sight! Hmmm! Walk up
the road and around the turn a couple of hundred yards and find my bus at its
chosen rest stop. Needed a little bit of legwork exercise anyway, at this
border crossing town. Bus does a lot of stop and go along the way picking up
and dropping off locals and we finally enter the built up citified area, as
jammed with traffic and pedestrians as any Indian town, although here it is all
layered into the hillsides.
Bus
station of course is in the middle of it all, and I find a Tibetan taxi man who
knows where the Hotel Pandim is, which was recommended to me by Ed and Laura at
Tuesday morning breakfast. Up and away from the maddening crowd, the taxi
climbs into forested hills with occasional buildings, and I can see clearly
that the Hotel Pandim is an exquisite location.
No room available until tomorrow night,
but I can book one tonight at the neighboring Hotel Pomra, and then transfer to
the Pandim tomorrow. Evening sky is
overcast and hazy, and the cool mountain air is like a springtime shower. After
all of the burning hot Chennai and Pondicherry days and nights, it’s like I had forgotten what this
kind of air could taste like. There are no ceiling fans in the hotel room, just
shaded hanging light bulbs with Tibetan and oriental motifs. This is really a
different part of the world from where I’ve been the last four and a half
months. All of my little Tamil and French phrases and greetings are no longer
relevant. The linguistic atmosphere is a whole different kind of music, and I
know none of it. My taxi man gives me his number for when I want to call for a
ride, and I’ve got a whole new world to explore up here, by foot and however.
For one thing, no yellow hornets up here!
Friday morning, April fifteenth, around
eight-twenty in the morning after breakfast of plain omelet, bowl of porridge,
one fine pancake, all with a mug of coffee before and after. All at the Pandim
hotel, where I have a treasure of a room. First night was in the fine room of
the hotel Pomra, where manager Pema Namgyal showed me a pictographic map of
Gangtok. We are way up on one of the highest ridges on the east side of the
valley. There is a forested area on the other side of the road that rises
towards the highest ridge. View is towards the west across the valley, with
multistoried buildings built into the hills on both sides. Dense
misty clouds cover the sky. Only the outlines of the surrounding higher
forested hills in the soft gray light shine through. The snowy peaks I know are
beyond are invisible.
From booking at hotel Pomra in late
afternoon through an evening meal, through night’s cool darkness, into an early
breakfast, and a full morning room rest, transfer to neighboring hotel Pandim
where this treasure of a room is now mine. On the corner with windows facing
east and north across the valley, the city below is in a panoramic splendor of
colorful rooftops and buildings of varying heights nestled amongst the hillside
trees. The misty cloud continues to fill the valley, the faraway peaks still
invisible. A private balcony two chairs wide. Pale green tiled bathroom. TV
table with hand-painted Tibetan dragon and conch shell, and hanging above the
double bed is a Tibetan Thangka painting of a male deity holding a rosary and a
Upalla flower in two outstretched hands, while his other two hands are holding
before his heart an oval blue semi-spherical object. Rivers flow on both sides
of the lotus blossom he sits on. The manager showing me the room cannot tell me
who exactly this deity is, so I’ll just have to take him at face value without
any preconceived notion about his powers or influences. A thick comforter
blanket and a richly soft and densely woven upper blanket to melt into. A solid
wooden desk, about four feet by two feet with accompanying upright sit-down
chair. I could live in this room for a very long time and call it home. And for
hotel price ranges in this part of the world, this is a gift.
As I’m filling in paperwork with Tibetan
manager Kesang Norbu in the top floor restaurant, and I start asking him about
places to go and how to get there in both Gangtok and Sikkim , his quiet voice comes forth with rivers of
information. How long shall I stay? I have no plan and know nothing about
anything anywhere. He checks his pre-booking ledger and says I can keep this
room till May first, about two weeks down the road, so I settle into that idea.
Two weeks exploring Gangtok and whatever is a day trip’s distance away. Then
ten days or two weeks exploring the outlying towns and villages towards the
west and north, closer towards tne snow-capped ranges.
Kelsang lives here with his family,
including his mother, so is available twenty-four-seven. His English is
perfectly well spoken and he emanates kindness. The top floor restaurant has a
table for four, two tables for two, and two corners with cushioned seating
around low tables, the entire area in elegant Tibetan décor. There is a small,
neatly kept library, and a stereo for playing soft background music from time
to time. The afternoon comes through with the most massive downpour of rain
I’ve seen since the Chennai monsoon. And for sheer volume of water coming down
at one time, it was a waterfall for a while, as the tall vertical prayer flag
banners – blue, white, red, green and yellow – flapped vigorously in the
relentless wind. Around five o’clock , I go upstairs for a late afternoon tea with a plate
of French fries. Meet Niall from Liverpool , a young
traveler here for his last night in Gangtok before going to Calcutta on his way back to the bar on Penny Lane where he works. His girl friend Alice and he are in room four, and I visit them after my
fries and tea, with booklets in hand to share. Alice is heading to Nepal for a few weeks before returning to Liverpool . The Liverpool English of Niall and Alice is like no kind of English my
ears have ever heard up close and personal, and I really have to pay close
attention to the words as spoken by Alice especially. Niall had been an English
lit major with a special interest in George Orwell. Niall and Alice each get a
copy and I go through an explanation-introduction and we have a good
conversation. I take my dinner on the rooftop at seven – vegetable curry and
vegetable fried rice and masala chai – so very well done! And see Niall and
Alice again for our farewell wishes. Evening air is cool and foggy. The
comforter and thick soft blanket are for crawling into, where memories from
under the comforters of times long gone by flow in their misty rivers once
more.
“The Lepcha language is monosyllabic in
character and possesses an inexhaustible
capacity for derivatives and suffixes. Two striking aspects of the language are
the wealth of vocabulary devoted to nature making it possible to verbalize
complex subtleties of the natural world; and the allusive characteristic of the
Idiom, so that the language appears to revolve around innuendo, and a verbal
statement is almost always a suggestion rather than on explicit observation.
Not surprisingly, this has made the Lepcha language rich in metaphors, similes,
and riddles, and consequently, very poetic.”
Pbotographs and essays by Sujoy Das; Text by Arundati Ray; © 2000
Saturday, April sixteenth at two-fifty in
the afternoon. Woke up to some continuous raining at two this morning. Then
again at dawn for most of the morning, and the valley between the ridges is
filled to overflowing with a Himalayan cloud. Now the rain has stopped and the
cloud has evaporated into a mist still dense enough to veil the ridge of the
city on the other side, and the hills beyond. Five shining silk prayer flag
banners ripple in the gentle breeze not thirty feet in front of my window looking
across the rooftop of the three story building built into the hill one level
below the Hotel Pandim. This feels like the sportscasters box at the stadium.
Atmospheric perspective washes with multiple shades of gray the horizons of
ridges and hills receding towards the furthest foothill. Took a walk yesterday
afternoon, which means going downhill, and then downhill some more, and then
more, until I found a leveling out road, which by now is in the thick of the
city and which evolves into an outdoor shopping mall. Just
like an American shopping mall on a Sunday afternoon, endless streams of
pedestrians going in both directions, shoppers, browsers, people like me out
for a walk, all the local people, very few western tourists. Buy a couple of Sikkim maps
in
a bookstore, and mostly walk around from one street to another, down one set of
steps or another, setting as a goal to find the bus stand where I alighted two
days before. By the time I get there, it’s been a good walk and I plan to taxi
it back to the hotel. As I’m approaching the taxi stand, who should come out
but Pan-Kg, the Tibetan with his old blue minivan who knew, when I was asking a
cluster of taxi drivers, where hotel Pandim is. He’s the pro and he knows, and
the fleet drivers are left standing, asking each other where is this place and
none of them knows. I’ve got his number, and I do believe I’ll be sticking with
Pan-Kg for my taxi needs during my visit to the Gangtok area.
Today is for sitting at the window
watching the light change through the afternoon as the angle of light from the
sun reflects off from and shines through the fluctuating mists wafting through
the valley between ridges in their soft and subtle shades of bluish-gray.
Monday, April eighteenth, at four-twenty.
Stranded on the Marg (open air shopping mall) at a window table of Taste of
Tibet watching the pedestrians with umbrellas walking through the rain. How
long is this going to take, this sitting around watching the clouds roll
through the valley from daybreak to nightfall, watching the rain decide when to
fall? Five days in this Shangri-La, and not only have I not seen a snow-capped
peak, neither the sun nor the blue sky have made more than a teasingly brief
suggestion of their existence. Here comes the waterfall out of the sky! Here
comes the river flowing down the steep sloping street.
Wednesday the twentieth around eleven in
the morning at the Baker’s Café again overlooking the pedestrian mall. Been
doing the walkaround Gangtok city these last three days. Down here this morning
to buy my ticket for the jeep ride tomorrow to Tashiding in the west. Starts at
seven and will go for four and a half hours. Kesang, manager at the Pandim, has
set up a home stay contact for me in Tashiding, as well as at Yuksom. Tonight
will be my seventh in the lap of luxury Pandim Hotel, and tomorrow the road
trip resumes. Met a seventy-one year old French woman on the rooftop during
breakfast this morning. She has been coming to Sikkim for a couple of months at a time for the last
sixteen years, and the family run Pandim is her choice for a place to stay. She
has set up some sort of a small NGO that helps look after about seventy
Buddhist children, and today is taking a group of about thirty to the theatre
to see The Jungle Book. She tells me of her journey three years ago to Lake Manasarovar and Mount Kailash in Western
Tibet where she did the
three day trek around the mountain. Some of us older people got things we need
to do before we get too old to do them. That was one of hers, and what I’m
doing is one of mine. The seed of an idea is born. Could I go to Lake Manasarovr in Tibet on this go-around? The trek around Mount Kailash is unthinkable for me, but a trip to visit the Lake ?! I’ll be asking around in Nepal when I’m there next month. My budget is pretty
tight, and I’ll bet it’s not a cheapie, so I’ll see what I can find out. Meanwhile,
where I’m going tomorrow should be rather exhilarating in its own right, and
meanwhile again, getting to know the streets and ridges and pathways and a
couple of sit-down places of Gangtok serves as entertainment, and while the
skies around the horizon all around continue in their cloud-covering haziness,
there is a peek-a-boo glimmer of sunlight from the noontime sky above. Time to
trace another path and see what’s down the road.
Tuesday the twenty-first at two o’clock in
my little room on the side of the hill at Sanu Home Stay, near the village of
Tashiding, after the jeep ride along the winding, twisting, curving, turning
convoluted ribbon of mostly single laned or
lane-and-a-half
asphalt, potholed, rocky, uneven, rough and occasionally smoothly paved road for
the hundred kilometers from Gangtok to my drop-off point where a graceful
middle-aged woman, Sanu Bhutia, waits to meet me, with her driver who will take
me that last kilometer or so into the hills where we will get out and
physically climb a rocky path to her set of simple rooms built into the
forested hillside.
Alongside the overland driver are three
passengers in the front row. I have a window in the second row of four,
alongside three of the local young women. In the third row are another four
passengers, and all of our luggage is packed into the rack on the roof. The
young driver is by no means shy about going for the pass whenever there is a
vehicle before us on the road. This is mostly a cliffhanger road, twisting down
into the valley where the river runs swift, twisting up into the haze between
the hills. Four hours altogether with one stop for tea along the way. Where a
lovely elder teenaged girl with her family in another vehicle is absolutely
elated to learn that I am from the USA,
her favorite country she declares enthusiastically that she so very much wants
to visit, and is immensely pleased when I agree to pose with her for a selfie.
I’ve got what you’d call a wide single or
a narrow double bed, a solid wooden table about eighteen by thirty-six inches,
together with a plastic lawn chair, in my corner room with two sets of windows
looking across the valley on one side, and towards the village down the road on
the other. The haze on the horizon is as opaque as it was in Gangtok, and I’m
told by Sanu that the snow-capped peak is there, but if or when I will see it
is still a mystery. There is a long narrow balcony where I can sit and listen
to the sounds of silent nature through the treetops.
Meet with Brenden and Kate this evening in
Sanu’s dining room. They have taken a twenty-one kilometer hike today through
the forested hills between Yuksom and here. They are interested to hear my
story of my several trips to India since I first came here in nineteen sixty-nine. Yes
indeed, that two year visit was a watershed event that focused my direction for
the rest of my life. It led me to my encounter with Anthropology, which in turn
led to my explorations in Art, through my earliest paintings and notebook
keeping of the early to mid-seventies, and from there into my excursions and
inquiries into the Aztec calendar stone and from there into my linguistic
encounters with poetic expression. Until I came up with my book of drawings and
poetry that I have been passing out since the early eighties.
That is four couples in a row since April
sixth: from Martin and Alin, the German travelers in Chennai, to Edmund and Laura
at the breakfast table in Siliguri, then Niall and Alice from Liverpool at the Pandim, and now Brenden from Maine and Kate from Melbourne who will get their copy tomorrow. Every time I meet
someone, I start sizing them up through our conversation as likely candidates
for getting a copy of my book. It’s all really very simple. If they are
interested in my story, if they ask questions and want to know who I am, our
connection is clear. There are those who are more intent on telling me their
story, and that is fine. I will listen and perhaps find them interesting, but
unless they are interested in my story, they will not know who I am. It’s not
exactly for me to say who I think I am. It’s up to the listener of my story to
decide who I am to them. For isn’t that really what it comes down to? There is
no truly objective, I am, except in my own convoluted imagination. The only, I
am, who really exists is interpersonal, and that will always be an aspect or a
fragment of my internal sense of self. I have been who my career path says I’ve
been, and lived and traveled and interacted through several stages in the
theatre of my time, and we paint portraits of each other in our minds. Who on
earth does that smiling teenager who took a selfie of her and I together think
this fellow with her in this picture is? Her friend, the American traveler at
the rest stop on the road. I
illuminate her dream simply by telling her where I’m from, and the joy in her
expression is a treasure to my heart. We create a meaning together, a shared
experience that is uniquely ours, etched in memory forever.
Dream of teaching, or trying to
teach, a group of about twenty of my ITT college students how to read. An
impossible task. As I’m listening to one student practice his reading, what are
the other nineteen doing? Mostly sitting there with listless minds, neither
paying attention nor caring about how I am helping the student I am focusing
on. Then I notice another group of about twenty other students on another side
of the room, the other half of this class. Since I am concerned with trying to
keep everyone involved with the class, I go to another student in the other
part of this class to listen to him practice, hopelessly hoping that the entire
class can somehow keep focused on what is going on. Are we all learning how to
read better while I give my attention to one student? The futility of what I am
attempting seems overwhelmingly senseless. Before very long, I
notice another entire class of students, another forty or so, are sitting
together in another part of what has become an open air, outdoor classroom. And
they are also a part of my overall class. Shall I go over and select another
student to focus on, while maintaining a sense of cohesion and attention
amongst all of these students, many of whom apparently couldn’t care less about
what I am trying to do. Caring very little themselves about learning how to
read, the inevitable smart-aleky, disruptive ignoramuses in the class start
throwing out their smart-aleky remarks, seeking only to annoy in their childish
search for ego-boosting snickers from their classmates, challenging my sense of
responsibility for keeping order and effecting a collective learning process. There
is absolutely no point in my getting into countering this mob of fools who are
motivated by no other objective than to disrupt. If only I could single out
those individuals who do want to learn, for I know that some of them do, but I
don’t know exactly which ones those are. Meanwhile, if what has gone on so far is
any indication, the classroom size is on the verge of doubling again, and I am
about ready to throw in the towel, leave the whole bunch to their desserts, and
walk down the hallway to the Dean’s office and tell him that he can take this
English reading class and shove it. Along comes Mr. Ed, the acting teacher I
got to know and took some classes with last summer when I was spending time on
movie sets working as an extra. A
very talented and experienced man with a lot of good advice, he is basically
telling me to keep playing my part and to above all ignore the distracting fools,
and play my lines with all the heart and soul that I have within, and that is
all I really need to do. Fulfill my role, and let everyone around me take
responsibility for fulfilling their roles, as they see fit, and emphatically do
not let those who couldn’t care less about what I’m doing interfere with my
sense for accomplishing my goal, teaching those who want to learn.
Saturday morning at seven, April
twenty-third, on the balcony looking west across the valley into the haze
receding towards the horizon. Sunlight filters through from over the hills
behind the cabin, and there is birdsong in the air. Took
a walk down the quiet asphalt lane yesterday into the village, where I took a
few pictures, and stopped into a couple of shops for some crackers and chocolate bars. If there is an internet
connection around here, I don’t know where it is. Getting to know Brenden and
Kate through breakfast in the dining room, later on the balcony, and then again
through dinner in the evening. Such a cheerful, enthusiastic young couple they
are. Kate has a law degree, and has been working in China for the last ten years with domestic violence issues
in that country and is well versed in Chinese language and culture. She is from
Melbourne , Australia and has an extensive background of travels through
and living in India and Sikkim . Brendon has been living in China for the last two years, working as an educator in
developing innovative ways to encourage young people to develop the skills and
knowledge they will need to pursue their chosen careers. Brendan and Kate met
in China and are a charming, intelligent, and adventuresome
couple whose company has been a precious gift here on the outskirts of this
remote Sikkimese village. You just never
know when or where or how the lovely people in your life will show up. Our
paths have crossed as we have been traveling in opposite directions. They are
coming from Khecheopalri Lake
and Yuksom where I am going, and I am coming from Gangtok where they are going.
A magical encounter along the winding trails of exploration and discovery.
After last night’s dinner prepared by
Sanu, another guest at this home stay guest house, a professional Sikkimese guide,
gives us an extensive explanation of how his business works and things he must
keep in mind as he leads his clients through their travels. Brendan has a deck
of cards. First, I show Brendan and Kate how to play casino, my favorite
two-handed game, and after a few rounds of this, he and Kate show me and our
Sikkimese guide friend how to play a complicated four handed game. Public
service electricity is an on-again-off-again feature of this cabin on the side
of the hill, and an overhead hanging LED lantern helps keep the table in light
when the regular connection flickers into darkness. Considerable rainfall
yesterday afternoon. The air is cool and damp this morning, and Sanu’s mother,
the quiet matriarch of eight children, of whom Sanu is the youngest, keeps her
prayer wheel turning.
Monday, April twenty-fifth at
four-fourteen in the afternoon. Reviewing the last couple of days beginning
with Saturday. Brendan and Kate have heard of a hotspring at Tatopani, a couple
of kilometers down the road from Legship, which is seventeen kilometers from
here. Sonu confirms and gives us instructions for getting a shared taxi, i.e.
multi-person jeep from Tashiding to Legship, and then catching a vehicle that
will go down the road to Tatopani. Shared jeeps are off-schedule today, so we
take a pricier personal driver, and split the five hundred rupee fare three
ways. This highway is rockier and more uneven than many a New Mexico mountain forest road. At the Tatopani drop-off point
is a shack of a shop selling crackers and cokes and no one is there. A
switchback, rocky hiking trail descends sharply into the depths where the river
runs swiftly around boulders and whitewater ripples over low-lying stones. A suspension
walking bridge has a plate metal footpath that rattles as we walk. The bridge
is festooned from one end to the other with bright colored prayer flags. A
couple of hundred yards further along another rocky trail to the riverside,
where tiny bubbles of sulphuric gas from the volcanic magma far below, infuse a
pool of water at the edge of the river with therapeutic properties. Sheltered
on two sides by huge boulders fallen one upon the other, or open to sunlight on
its other sides, the pool is plenty big enough for half a dozen adults
stretching and resting to soak, and half a dozen small children who romp and
play and splash around. Being a Saturday, some parents have brought their kids
here. The water is from the river flowing swiftly by, somehow siphoned off into
this niche of a pool about eighteen or so inches deep with its fine black sand
bottom. There is also a pool of quiet water in an open niche at the side of the
fast running river. One can dip in the cold river water, and one time of that
is all I need. Finding a spot to stretch out and let the medicine waters infuse
my every pore is more my cup of tea. Sky is clear and the noontime and early
afternoon sun is refreshingly warm. One of the boulders of this enclosure is
just high enough out of the water and level enough in a curvy kind of way for
me to start standing little pebbles that my fingers find in the black sand atop
one another, one upon one upon one, up to five and even six, looking for
balance points every time I stack one stone atop another. The children are
enchanted with this, and then start fishing through the sand with their fingers
for pebbles to give me to keep building these little balancing towers. It
doesn’t take long for these kids to start piling up pebbles, and the surface of
the boulder becomes a cityscape of balancing towers. Around two o’clock after
about three hours in the pool, Kate and Brendan and I decide to move on and
hike back across the bridge and up the switchback trail to the side of the
rocky road to try and flag down a passing jeep heading to Legship. Most passing
jeeps are full, so we agree to have one or two of us go at a time in available
seats, and meet up in Legship. I get a single seat first, and Kate and Brendan
get a pair of seats in the time it takes me to have two cups of tea at the shop
next to the taxi stand. The skies have clouded over, and raindrops are lightly
falling. Again, a shared jeep is not available, and we opt to go with a
personal vehicle. More rupees, more leg room, and get back to Sonu’s home stay
sooner than later. Getting towards five and the clouds on the western horizon
are gilded in gold, and beams of light reach through holes in the clouds to
filter through the moist valley air, lighting patches of the hillside forest in
bright green. Sonu’s marvelously prepared meal of rice and intricately spiced
vegetables at six-thirty as darkness settles in puts a finishing touch on this
masterpiece of a day.
Sunday morning is departure time for my
friends whose paths met and converged in
China . They have been studying the book on Northeast India , and after their short visit to Gangtok, will be
heading to Assam and Megalaya and wherever else in that area suits
their fancy. Make it up as you go along. My kind of itinerary! Early morning
resting time on the balcony for me until after ten when I begin the upward
trail towards the three hundred seventy-five year old monastery at the top of
the hill. Up, up and away the climb goes on, through the forest, over a trail
nurtured by hand with rocks placed intentionally into a rough washboard-like
arrangement. I imagine this rough surface minimizes the slippery factor when
these mountains are coated in fresh snowfall. Perhaps a half hour for me to
climb the winding trail which leads to the monastery, meditation hall, and
courtyard of chortens. The grounds are wide and flat, grassy and green. Nothing
goes higher from here than the sounds of chanting in the meditation hall, which
I sit with as a guest on a bench alongside one wall. An eight year old monk
pours me a generous cup of milk tea. There are about five other visitors today
sitting alongside the wall on either side of the rows of altogether about
thirty monks. The youngest and younger boys sit in the outer two rows, while
the mature and elder monks sit on the inner two rows. The little boy monks can
be playful and unruly, as little boys will be, and no one imposes any
correction on them, telling them to be still and behave or some such thing.
They are obedient to the directions they are given, and aware of the boundaries
of the occasion. Respectful and smiling and perhaps a bit curious about today’s
visitors, they will be here for the rest of their lives, however in their minds
they might think about this idea! In the courtyard of chortens, tall white
spires rise from the earth towards the sky, pointing the way to the heavens.
There is an immense metal bell, much larger than the cracked American Liberty
Bell. This bell is inscribed all around in Tibetan messages, and the huge
clapper has hanging from its end a woven cloth rope, and any visitor who comes
by can pull the clapper against the bell and send a deeply resonating sound
into the monastery grounds and through the valleys surrounding the hill. Like
from any bell made by Tibetan metallurgists, the sound carries on forever. I
take one moment in time to pull the woven rope and send the sound through the
valley, for as long and as far as it will go. Altogether a little over three
hours I spend on the top of the hill, then follow the path down back to Sonu’s
home stay to rest before dinner, and watch again the sun descend behind the
clouds hovering over the hilltops on the western horizon.
Tuesday, April twenty-sixth at
nine-forty-seven in the morning after a seven o’clock breakfast of porridge and
two brown, dense apple pancakes, along with a cup of milk chai, at the Limboo
Home Stay in the end-of-the-road village of Yuksom, which has a continuous
enough trickle of backpackers and trekkers who keep the several small hotels
and homestays, and a couple of larger hotels as well, in business. Met Eric
from London , now living in Wales , at the Gupta Café, next to the Yak Café, on the
side of the road in the middle of town yesterday afternoon. He’s worked a lot
with autistic people in institutional settings, is very dissatisfied with the
way autistic people are being treated, and wants to set up a residency out in
the wilderness of Wales , where autistics could live in an environment that encouraged them to
live their creative lives. Eric is thirty-three now, with an excellent
background in experience and professional associations, he has a well-developed
idea and I can see support for his vision coming his way.
Not long thereafter comes along five
hikers who have just come in from the several
kilometer walk from Lake Khecheopalri . Two British couples around in their twenties, and
an Indian fellow of similar age from Rajasthan, who is studying at an art
school in West Bengal three hours from Calcutta . They all sit around the table next to where Nick
and I are, and soon the seven of us are sitting around in a circle mostly
around the hikers’ table, trading stories and making inquiries. Ankur, the
Rajanstani art student and I fall into a beautiful conversation about the kinds
of art we do and why, and who amongst artists from the art history books have
been sources of inspiration. Is there a line or is there only a shifting haze
between ideas of subjective and objective beauty? It is extremely much fun to
pull images into the conversation from out of those art history books, images
that illustrate a concept or an appreciation, images that we both recognize,
for we are brothers who have chosen to spend time with and page through those
art history books, just as we have chosen to search through our brush for that
elusive mystery that expresses the beauty we feel within. After the hikers have
ordered and eaten their meals, Nick parts way to return to his hotel, and I
walk the mid-town road with these two young couples and my brother in art. At
the Limboo Home Stay where I am, the hiking group deems the three hundred rupee
dorm room too costly, and heads off to look for one of the economy hotels along
the road. I truly admire the adventuresome spirit and the sense of cohesion
these British hikers embody, on a shoestring budget that puts eight hundred
rupee rooms like my single at the Limboo out of the question.
White walls in clean paint, one set of
windows looking out across a couple of home gardens below to the green slopes
of a steep incline. Sit-down toilet in a bathroom of tiled floors and walls,
clean porcelain sink, and hot water on demand. Wide single bed with covering
blanket soft and warm, woven blue carpet, and long red oriental throw rug with
curving and twisting and winding brown and black dragon, with flames and smoke
coming from his open saber-toothed jaws. This is the dragon room and there is
no image on the walls. Where do I go from here?
The story is about the book, the one I
have already written. The roots reach deeply into the soil of two boxes of
college textbooks copyrighted in the nineteen-thirties, science books, biology,
chemistry and physics and math, and the book that most enchanted me was the
astronomy book, with all of its pictures of the planets, the solar system, the
stars, and the galaxies, and the half page article about the recently
discovered Pluto and what was known of it which was not very much. These were
my father’s books from the years when he was learning the things in these
books, and now they are in two crates in the corner of a closet. And I
entertained myself with them, wanting to know what was in them, as a way, I
suppose of wanting to know what was inside my father who was working in a
Chevrolet assembly plant supporting his wife and family of five children,
keeping the home above water.
Reading books became a very large part of
my way of knowing. The local library branch was one of my favorite places to
visit and hang out, scanning every title on every shelf. Some book or another
to read is always on my horizon of things to do in between everything else. Now
I have a book of my own to share, and it is kind of fun keeping my ear and my
eye open for someone to share my writing with.
There was also a huge, heavy finely bound
book of paintings in color, all North American birds. Semi-gloss paper pages
with drawings and paintings by Audubon, and other artist bird watchers. An
amazingly beautiful book to page through after I’d had my fill of galaxies and
planets.
Wednesday morning around ten, April
twenty-seventh. In the dragon room with white walls. I’ve been looking for a
place to be, a place to return to, since before I arrived in Chennai five
months ago. Thorough the Chennai guest house, two Pondicherry guest houses, the
Hotel Qualithe’, two nights at the lodge in Siliguri, one week at Hotel Pandim
in Gangtok, and four nights at Sonam’s Home Stay in Tasahiding, I’ve found a
place to be, a place to return to. Limboo home stay, run by graciously smiling,
soft spoken Rani and her husband, Head Forest Guad Birkaman, with their three
school age children. The backyard garden is a phenomenal space, and Yuksom is a
phenomenal place. There are more bird voices out here than a person can count.
Just ask the visiting birdwatchers from Bangalore with their telescopic lens cameras and guide books
and check-off lists! Skies have been clear or mildly cloudy with no rain. There
is no automotive traffic along the well-worn
asphalt main street through town, except for the occasional jeep passing
through, dropping off and picking up. Couple of outdoor cafes and a post
office, no ATMs or Internet. A short walk leading away from town from here is
magical Kathog Lake ,
“sanctified in the seventeenth century for the purpose of his (Kathog Rigdzin
Chhenpo) oracular practices.” This is his Bla-Tsho, i.e Soul Lake and Lamas perform purification rites every year to
retain the sanctity of the place. This is the town where the kingdom of Sikkim was born in 1641.
The Limboo homestay garden is designed
around relaxation settings for small groups around tables under shade, and
narrow rocky pathways network through the flowers and small bushes. The main
building has rooms and the kitchen and dining room for temps like myself, and
there is a duplex cabin in the back, which I have yet to ask about, but from
the outside, it looks like a home. Itinerant trekkers and hikers and sightseers
pass through town every day on their way to somewhere, and it would never take
long to find company at either the Yak Café
or the Gupta Café.
Went out for a walk up the road yesterday
mid-afternoon to look for the 1641 stone coronation throne on top of a hill,
and as I’m taking pictures around a middle-of-the-road stupa, along comes
Ankur, my art student friend from yesterday, so we walk together up the rocky
path to see what there is to see. The
coronation throne platform is weathered gray stone with seats for the three
great lamas who presided over the inaugural ceremonies. Just have to take a
minute to imagine how colorful, and crowded and musical the event would have
been, and here we are, Ankur and I, in the middle of it all. Be There Now! The
towering white chorten of this ceremonial center points towards the sky amidst
straight towering trees. Ankur and I sit on the first ledge of this chorten and
he shows me his portfolio on his phone camera. Truly a talented young man
already and he’s only completing his third year of a four year program before
going on to three years of graduate school. His portraits are entirely real in
color and tone and linear accuracy. His landscapes are bright and playful, gentle
and contemplative. A pleasure it is to meet this talented thoughtful person.
Descending the hill as the solar disc approaches the hilltop horizon, we walk
to the nearby Kathog Lake ,
more on the order of a large pond in my vocabulary. The grass around the
lakeshore is a naturally luminescent green, and a few large boulders clutter
the water and ground in one corner. Two necklace strings of white prayer flags
adorn two sides of the smooth as silk and reflective waters. As Ankur and I
find some flat stones to sit on and continue our conversation and simply sit
and admire the lake, two of the young hikers from yesterday enter the lakeside
grounds and walk over to join us. Natasha from Ukraine , the artist friend from Kerala, along with a young
artist from Italy , not formally trained in art, but seriously dedicated, with a velvet
soft voice, and aesthetically discerning. Visual art is about seeing and
showing what you see, and I give them each my address card with my pueblo
painting for background and my three website addresses for my book, my poetry
and my paintings. Our conversation has been through art. Here is an image from
my brush. You can see more and read some on the internet, and this is my avenue
for sharing today and they all appreciate it. Eventually, the company of three
go their way, and Ankur and I circumambulate the holy lake. We return to the
road and walk to our parting way. Ankur is leaving Yuksom tomorrow. We will
meet again, or, as Mali would say, we have always met, exactly right here.
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